Leslie Rinchen-Wongmo, Silk Applique Thangkas

Contemporary Buddhist Textile Art rooted in Tibetan Tradition


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Stitching Buddhas

Virtual Apprentice Program

e-Lessons in the Techniques of Creating Tibetan Fabric Images

 

assembling Green Tara

       I often receive inquiries from people who would like to learn the techniques of fabric thangka making. The challenge has always been to teach in a way that honors the sacredness and precision of the tradition. This is not something that can easily be taught in a weekend workshop to curious experimenters.  The techniques of this art are unique, and mastering them requires time, practice, instruction, and feedback.

 

     Now and then, I get messages from artists or practitioners around the world, some with significant sewing or quilting experience, who are ready to devote themselves to a gradual learning process. These are the people I'd really like to share this tradition with, so I've pondered and brainstormed about how I can do so.

 

     All this pondering and brainstorming has led to the development of an internet-based private-lesson model consisting of monthly lessons sent by e-mail. Each lesson presents one skill, one step in the process of creating a silk thangka. Instruction in practical methods is supplemented by more conceptual content regarding the history and significance of the art form, and I expect that such content will increase in later lessons. My instruction focuses on the textile techniques in which I was trained. Drawing is addressed only peripherally and with referrals to other sources of information.

 

     Each lesson is supported by e-mail consultation. I am available through e-mail to answer questions and provide clarification on the lesson.

     The total number of lessons or length of the course is not determined in advance. As mentioned above, it is a private-lesson-based model, something along the lines of ongoing piano, singing, or painting lessons -- the idea being that the student continues to learn and refine for as long as necessary or desired.

     My hope is that after some time (as the number of students following the program increases), we can arrange in-person workshops once or twice a year in some wonderful part of the world to refine skills, share accomplishments, and build community around this precious art.

     Please This e-mail address is being protected from spambots. You need JavaScript enabled to view it if you are interested in engaging in this unique learning experience. I welcome your participation and hope that a community can grow around this precious artistic tradition.

 

 

Last Updated on Monday, 12 October 2009 16:04